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dc.date.accessioned2021-12-01T21:15:34Z
dc.date.available2021-12-01T21:15:34Z
dc.date.issued2021-09-17
dc.identifier.urihttp://hdl.handle.net/10464/15480
dc.description.abstractIn this episode, called “Thinking and Rethinking Orientalism,” we examine Orientalism as a particular version of the Western gaze that influenced many 19th century European painters. The Western or European gaze treats non-Western subjects as different and inferior, but also as exotic, mysterious, or enticing. After examining the orientalist visual tropes in paintings by Gérôme and Delacroix, we turn towards contemporary artists. Moroccan photographer Lalla Essaydi creates meaningful portraits of Muslim women that challenge perceptions of Arab female identity. Monir Shahroudy Farmanfarmaian was an Iranian artist whose works combine Eastern and Western influences into a unique sculptural style. We take a look at her series Fourth Family.en_US
dc.language.isoenen_US
dc.relation.ispartofseriesUnboxing the Canon;10
dc.rightsAttribution-NonCommercial-ShareAlike 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/*
dc.subjectart history, orientalism, nineteenth-century French painting, contemporary arten_US
dc.subjectResearch Subject Categories::HUMANITIES and RELIGIONen_US
dc.titleEpisode 10: Thinking and Rethinking Orientalismen_US
dc.typeRecording, oralen_US
refterms.dateFOA2021-12-01T21:15:34Z


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