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dc.contributor.authorKlimova, Olga.en_US
dc.date.accessioned2009-07-14T19:42:08Z
dc.date.available2009-07-14T19:42:08Z
dc.date.issued2005-07-14T19:42:08Z
dc.identifier.urihttp://hdl.handle.net/10464/2347
dc.description.abstractThis thesis examines the impact of the Soviet Union's collapse on the Russian Symbolic as represented through popular cinema of the post-Soviet period. The disintegration of the USSR in 1991 became one of the most traumatic experiences for many Russian people. The trauma of the collapse of the Soviet Union penetrated the everyday reality of the Russian Symbolic, leaving the traces-symptoms in different cultural fonns like literature, arts, television and cinema. Because popular culture usually reacts very quickly to any social, political and economical shifts in society, it is an excellent barometer for deeper changes in society. Focusing on postSoviet popular cinema, this thesis analyzes the symptoms of cultural and individual trauma occasioned by the momentous changes of the 1990's. This study is grounded in post-analytic theory of Jacques Lacan and its interpretation by Slavoj Zizek, which emphases the traumatic encounter with the Real as a "hard core" of our reality. According to this paradigm, a new chain of signifiers is structured around the traumatic breach in the Symbolic, initiating a process of fantasy construction to deal with consequences of trauma and, thus, to support our Symbolic order. This thesis examines three major fantasy constructions - drinking, traveling to a "happy land" and family reunion and money - in popular films by Alexander Rogozhkin, Yurij Mamin, Georgij Shengelia, Dmitrij Astrakhan, Valerij Todorovskij, Alexej Balabanov, Sergej Bodrov Jr. and Petr Buslov. According to Zizek, enjoyment underlies any fantasy constructions, and that is why after the intrusion of the Real every individual and culture should go through the process of fantasizing about some substitutes which can help to minimize the traumatic effect and which can lead to a partial enjoyment. By analyzing the fantasies about drinking, "happy land", reconstruction of the family bonds and money in Russian popular cinema since 1991, this thesis demonstrates how the traumatic engagement with the Real affected the everyday lives of Russian people, and how individuals tried to fill the gap, the lack, in the post-Soviet Symbolic and "return" the lost feeling of unity and plenitude.en_US
dc.language.isoengen_US
dc.publisherBrock Universityen_US
dc.subjectMotion picturesen_US
dc.subjectRussia (Federation)en_US
dc.subjectPopular cultureen_US
dc.subjectPsychic trauma in motion pictures.en_US
dc.titleThe encounter with the real and post-Soviet trauma : fantasy construction in Russian popular cinema /en_US
dc.typeElectronic Thesis or Dissertationen_US
dc.degree.nameM.A. Popular Cultureen_US
dc.degree.levelMastersen_US
dc.contributor.departmentPopular Culture Programen_US
dc.degree.disciplineFaculty of Humanitiesen_US


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