| dc.description.abstract |
In this thesis, I critically examine the discourses that inform how we conceptualise
HIV/AIDS in Sub-Saharan Africa as they are produced in a sample of Canadian news articles,
two nonfiction texts - Stephanie Nolen's 28 Stories of AIDS in Africa and Jonathan Morgan and
the Bambanani Women's Group's Long Life ... Positive HIV Stories - as well as two literary texts -
John Le Carre's popular fiction novel The Constant Gardener and an anthology of stories and
poems from Southern Africa titled Nobody Ever Said AIDS, compiled and edited by Nobantu
Rasebotsa, Meg Samuelson and Kylie Thomas. Paying particular attention to the role of
metaphor in discursive formation, I have found that military metaphors, usually used in
conjunction with biomedical discourses, continue to dominate what is said about HIV/AIDS.
However, the use of military metaphors to conceptualise HIV/AIDS contributes to stigma and
limits the effectiveness of responses to the pandemic. I argue that accessing alternative
metaphors and discourses, such as biopsychosocial discourse, can lead to a more layered -
and more beneficial - conceptualisation of HIV/AIDS, encouraging a more active response to the
pandemic. |
en_US |