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dc.contributor.authorLandry, Christinia Ryan.en_US
dc.date.accessioned2009-05-21T13:54:31Z
dc.date.available2009-05-21T13:54:31Z
dc.date.issued2005-05-21T13:54:31Z
dc.identifier.urihttp://hdl.handle.net/10464/1364
dc.description.abstractAbstract This thesis is an investigation of Maurice Merleau-Ponty's notion of style via the individual, artwork, and the world. It aims to show that subject-object, self-other, and perceiver-perceived are not contrary, but are reverses of one another each requiring the other for meaningful experience. In experience, these cognitive contraries are engaged in relationships of communication and communion that render styles of interaction by which we have/are a world. A phenomenological investigation of Merleau-Ponty's notion of style via existential meaningfulness, corporeal and worldly understanding, stylistic nuances (with respect to the individual, the artwork, and the world), and the existential temporal dynamic provide the foundation for understanding our primordial connection with the world. This phenomenological unpacking follows Merleau-Ponty's thought from Phenomenology of Perception to "Cezanne's Doubt" and "Eye and Mind" through The Visible and the Invisible.en_US
dc.language.isoengen_US
dc.publisherBrock Universityen_US
dc.subjectMerleau-Ponty, Maurice, 1908-1961.en_US
dc.subjectMerleau-Ponty, Maurice, 1908-1961en_US
dc.subjectExistential phenomenology.en_US
dc.subjectPerception.en_US
dc.titleA phenomenological account of Merleau-Ponty's notion of style : from embodiment to fleshen_US
dc.typeElectronic Thesis or Dissertationen
dc.degree.nameM.A. Philsophyen_US
dc.degree.levelMastersen_US
dc.contributor.departmentDepartment of Philosophyen_US
dc.degree.disciplineFaculty of Humanititiesen_US
refterms.dateFOA2021-07-30T01:28:05Z


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